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Challenges

Would You Trade Your Boredom for Stress?

by Sonia Simone on September 12, 2011

image of woman rock climber

I don’t have a cool life-or-death story.

I didn’t almost die from a snowboarding accident.

I wasn’t diagnosed as a toddler with an illness that was supposed to kill me.

I was a working mom with a good job. The money was good, the benefits were great, and the people were smart and nice.

I had a cute little private office and the company was doing interesting work. I had created my own department, and everything we did was based on something I had built. (For a control freak like me, this is a very pleasant.)

And I was about ready to shoot myself from boredom.

A normal person would doubtless have been able to navigate this. There are a lot of things in the world that are worse than boredom.

But I am not a normal person

For me, being bored is like being slowly boiled alive. It seems tolerable at first, but every day it gets more and more painful.

The obvious answer would have been to change jobs, but I had a strong sense that working for someone new wasn’t going to cut it.

First because we were sailing into the worst recession in decades, and companies weren’t lining up to hire anyone. The few who were hiring seemed to like specialists with neat, sensible resumes, not Janes-of-All-Trades like I was.

(It turns out I was a classic Linchpin, but Seth hadn’t written that book yet so I didn’t have a word for it.)

The second, more important reason was that I knew it would be more of the same.

In the best-case scenario, I’d work lots of hours away from my family (my beautiful little boy was just two) to build something cool, get it to work, tweak it until I thought it was just right, and then … start to die inside again every time I pulled into the downtown garage and made my way to another office.

Maybe I could try for the executive suite? That would have brought interesting new challenges.

Sadly, I lack the right instincts to climb the ladder in a big company. I say things I shouldn’t say in meetings. I challenge the wrong people. I am incapable of hiding my impatience with game playing.

These were not qualities that helped me climb the ranks in the traditional corporate world.

People asked why I didn’t go out on my own

I had a very marketable set of skills. I wasn’t just a marketing writer … I was a damned good one. (Sorry if that sounds arrogant, but it’s not because the Writing Fairy blessed me at birth … it’s just because I’ve done a hell of a lot of writing.)

But oddly enough for someone who had spent so much time in marketing departments, I didn’t really know how I was going to go out and find copywriting clients.

(This isn’t unusual. Corporate marketing is a very different creature from marketing a small solo business. For one thing, in a big-budget marketing department, you can sometimes afford to do a lot of what doesn’t work.)

But I was reading Godin and Copyblogger and Dan Kennedy. I had some ideas of my own, riffs on what those guys were doing.

I’d seen a lot of what worked and didn’t work within a talented marketing department, working with some of the best ad agencies in the business. I wanted to talk about ways to translate some of those big-gun tactics to a business that didn’t have that kind of budget.

So I started a blog. (Actually, as Brian pointed out to me when we first met face to face, I was building a shrine to Godin. I’m cool with that.)

I thought Perry Marshall was doing brilliant things with email autoresponders, so I created one, and I put my own twist on it.

I initially built my blog on the Typepad domain, which wasn’t a great idea, because when Seth did link to me a few months after I started, the link was to someone else’s property. Never mind. Live and learn.

That link did send me a lot of new readers, and the autoresponder allowed me to capture their attention for later. So it worked out after all.

When Brian Clark launched a product called Teaching Sells, I bought it within the first 10 minutes the cart opened.

That course turned on some of the lights for me. It gave me a systematic framework, a wider view of marketing and business. It got me thinking about options beyond client work.

I did all the homework. I did lots of exercises multiple times. I networked in the forums.

I applied what I was learning. Sometimes a little clumsily, but that was ok. I was learning that imperfect efforts can still bear fruit.

And I was learning that every effort is imperfect, which is a tricky for a perfectionist.

Are you seeing any rocket science here?

No magic formulas. No push-button cash machines. No foolproof money-getting systems.

And nothing I did was a spectacular burst of heroic effort. Instead, it was an accumulation of slow, steady, purposeful work.

I created the best content I could for my blog. When I finally worked up the nerve to ask Brian if he would run a post from me on Copyblogger, I began to write weekly here — showing up week after week with the very best work I knew how to create.

I wasn’t the most talented writer on Copyblogger. I wasn’t even the hardest working. But I think I was the most stubborn.

I started to get some clients

Through this little content web I had started to weave, people started to hear about me.

And they started to email me asking if I would write for them. For actual money.


Web copy. Newsletter copy. Autoresponder copy. Special reports.

Was I slammed with work within weeks of starting this journey? No. It took time, partly because I was still working hard to do a good job at my day job, and prioritizing time with my family.

There was no shock and awe. There was a lot of slow and steady.

And that’s how the clients came in … slow and steady. But it was enough.

On March 3, 2009, I traded boredom for stress


That’s the day I left my day job.

The economy was getting worse by the minute. I knew there was a strong possibility I would have been laid off from my company. Waiting for that would have been the “smart” thing to do tactically.

But I didn’t want to be pushed. I wanted to jump.

Sometimes there’s been a lot of stress. My health insurance company pulled a fast one and cancelled my COBRA for awhile. Some of my ideas worked and some of them didn’t. Sometimes the cash flow was very bumpy.

I didn’t have it all figured out. Instead, I had a list of about 10 different things I could try, and the knowledge that I could come up with a list of 10 or 20 more if I had to.

And I worked my tail off implementing them.

I think I got to #6 or #7 on my list before I found the winning combination.

But I’ll tell you the truth. There hasn’t been even one hour when I wanted to un-do that trade. I’ve never wished I had stuck with the maybe-safe boredom, even in that enviable set of circumstances.

How about you? Ever traded boredom for stress? Thinking about doing it some time in the future?

Leave a comment and let me know how it was for you.

About the Author: Sonia Simone is co-founder and CMO of Copyblogger Media. Get more from Sonia on twitter.



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image of charles darwin

Out of the primordial soup — back in the early 1990s they came.

They weren’t pretty. They weren’t compelling. They’re repulsive to look at today.

But we bought them — lots of them.

They were the first ebooks.

Remember Times Roman? There was page after page of it, like an 8th grade book report.

Remember the yellow highlighter on the sales page? How it made our hearts beat a little faster?

Remember how the sweat beaded on our upper lips when we thought we might miss out on the low, low price, available for only a few more hours? That’s what the red headline said.

We spent good money on those ebooks, and we thought they were first-rate. We thought wrong …

We just didn’t know any better.

We’re older and wiser. Are we smarter?

We’re different now. More discerning.

And if you’re reading Copyblogger, chances are good that you not only buy ebooks, you create them yourself, or you want to.

We’d like to think we’re smarter now than we were back then. But what have we actually learned about how to write, create and sell ebooks successfully?

It’s a jungle out there. Let’s cover the basics so your ebook will survive and flourish.

An ebook is a performance

The cover of your ebook is like the curtain rising at a theater.

It’s the first glimpse of your information. Will the audience like what they see?

That depends on how well you know them.

Because if you know your audience well and understand their challenges and problems, you’ll know what to offer them in an ebook. Here’s how to discover what to write about:

  • Pay attention to the questions you’re asked over and over
  • Read and respond to the comments on your blog
  • Ask new visitors and customers what brought them to you
  • Find out demographic information like gender, age, and education level
  • Survey your readers to discover what their challenges are

When you know your audience, you can present them with a “show” they’ll want to buy tickets to — an ebook with information they need, that they want, and that they’ll pay for.

Work with the marketplace’s natural selection process

Nature can be cruel.

Your species is humming along, doing its thing, and all of the sudden a species better suited to your environment swoops in. Before you know it, you’ve gone the way of the dodo.

It happens with ebooks, too. This year’s “Ultimate Guide” is replaced by next year’s “Last Guide You’ll Ever Need.”

To avoid this fate, give your readers your best work. Make it useful, original and fresh. Keep it updated and timely.

Natural selection in the marketplace applies to design, too.

The best ebooks are well designed and easy to read. Many people read their ebooks on screen and never print them.

To make your information easy to absorb, break it into short paragraphs. Add plenty of subheads to make your pages simple to skim.

Use a layout with lots of white space. Add subheads, call outs, and images. Go over it carefully and clean up any spelling or grammatical mistakes.

Buyers expect clean, crisp pages, and will pay a premium for them.

Your information should be well designed if you want it to thrive.

Leave your cave or perish

None of this advice applies if you don’t actually write the damn thing.

Sounds obvious, I know, but admit it: how many ebook ideas do you have floating around in your head?

It takes discipline and a special kind of tenacity to plow through the unglamorous middle and ending phases of ebook creation.

But your ideas deserve to see the light of day, so do the work and forge ahead. Get them onto the screen and bring them to life.

Your ideas can’t spread if they hide in a cave.

Adapt your methods to survive

Have you heard about super bacterium?

They’re antibiotic-resistant bacteria that are a product of overuse of antibiotic medicines.

In the marketing world, we’ve developed yellow-highlighter-and-red-headline-resistance. Those sales techniques just don’t have the effect on us they used to. What does that mean for you and your ebook?

It means your sales methods need to be as robust as your ebook content in order to survive. Try these techniques:

  • Offer solid, information-packed content in the lead up to your launch
  • Combine no-opt-in giveaways with sneak peeks of your ebook content
  • Leverage your professional network to get the word out about your product

When you write your sales copy, remember your audience’s challenges and write about them. Don’t assume they know what your product is about: spell out the details.

And please, don’t rehash the same old promises: position your ebook so it’s unique and memorable.

Natural selection is your friend

Nature and the market can both be cruel.

But now you know what to do to give your ebook the best chance:

  • Write it, don’t hide it
  • Polish it up and make it professional and appealing
  • Create and share valuable content before you launch it
  • Position your ebook so it’s memorable, and use your network to spread it

Only the smart survive, and now you’re one of them. :-)

About the Author: Pamela Wilson is the owner of Big Brand System and co-creator of eBook Evolution – a complete system, including customizable templates anyone can use, for writing, designing, and launching eBooks. It debuts at a special low price today.


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image of shakespeare using a laptop

William Shakespeare is the shorthand we use when we want to describe a great writer. He stands for the pinnacle of writing ability.

One reason is that he mastered the art of writing for completely different audiences. He appealed to the ultra elite, to regular theater-goers who never missed a performance, and to the illiterate mobs in the cheap seats. And he managed to satisfy each audience magnificently.

I’ve written a blog series around the web about how to write for each of three different audiences: new readers, regular readers, and experts. Now it’s time for us to try the Shakespearean feat of pulling these three audiences together.

Before we move on, I want to be clear that writing for each of your audiences is not the same thing as trying to write for everybody. Writing for your different audiences isn’t the same thing as writing for Wikipedia.

Write different posts for the different groups

Not every post has to work for every reader. Sometimes, instead of trying to write one post that works for everybody, pick one of your audiences and write for them.

If your blog gives marketing tips, you might give tips for new readers on Monday, regular readers on Wednesday, and experts on Friday. To be clear about who each post is for, you could call them Marketing 101, Marketing 201, and Marketing 401.

This approach pleases all three audiences more than you’d think. New readers learn a lot all at once, regular readers get refreshers and expert knowledge, and experts appreciate the reminders and will probably send people your way, too.

Embrace the series

Series are a great way to tackle the Eternal September problem, which is one of the main challenges of blogging.

Because readers come in at different phases of the conversation, we tend to either have to constantly remind people where we are, or write each post so that someone just joining in can grasp what’s going on.

Not only that, but most blog readers are used to reading short posts, and sometimes it’s hard to complete a complex thought in 800 words. Eternal September combined with short attention spans tends to lead to posts that lack substance and offer little more than constant primers.

With a series, though, you can start everyone on the same page. Series also give you enough room to develop your thought in a little more depth.

Writing a series gives you another opportunity to please all three audiences. New readers get the advantage of being caught up all at once, and they get a great introduction to your blog and your voice. Regular readers can appreciate the longer coverage of an idea, especially since you can use the room to give detailed stories and explanations. Experts respect a good series because you can show your knowledge of the field and you have the chance to say and explain something novel.

For some concrete examples of how it’s done, take a look at the Resources section to the left of this post, with series like Copywriting 101, Content Marketing 101, or SEO Copywriting.

Don’t write a series just to write a series, as it’s easy to tell the difference between a post that’s just way too long and an idea that needed several posts to cover well. A series is not a substitute for good, concise writing.

Focus on new and regular readers

Given that they make up at least 95% of your blog readers, your writing should always deliver the maximum value to new and regular readers.

This is where we tend to go wrong. by trying to write too often for experts (for example, other bloggers in our topic). In writing for experts, we run the real risk of losing everybody else.

Think about your blog post in layers. One layer of your writing should help new readers. After you have them covered, the next layer should be for your regular readers. Lastly, if you can work it in, the final layer should be for the experts.

Write as an expert, not like one

Just because you’re an expert doesn’t mean you have to write in a way that’s hard to read and understand.

Good writers know that the real challenge is writing about difficult topics in a simple, clear, and approachable way. As Einstein said, “If you can’t explain it simply, you don’t understand it well enough.”

If you’re able to write about difficult topics in a way that non-experts understand, you’ll do what many experts can’t. There’s no better way to establish your authority with all three groups, experts included.

The wheel has come full circle

Blogging is a new medium, sure, but it’s a medium by which we express, educate, entertain, and engage people. And people haven’t changed that much. That’s why we can learn from the past; their challenges are our challenges.

As blogging evolves, what will discriminate the remarkable and memorable from the bland and forgotten?

It’s not how well you can create spikes of traffic, but how much art you bring to the craft of blogging. It’s great to have a killer blog, but even better to have one with a touch of poetry.

There were dozens of playwrights in Shakespeare’s day who knew how to fill seats, but there’s only one Shakespeare. Which do you want to be?

This is the fourth and final part of the How To Blog Like Shakespeare Series from Charlie Gilkey. Check out the other posts in the series:

  1. How to Write For New Readers
  2. How to Write For Regular Readers
  3. How to Write For Expert Readers

About the Author: Charlie Gilkey writes about meaningful action, creativity, and entrepreneurship at Productive Flourishing. Follow him on Twitter to see how he does at the whole brevity thing.


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